In addition to the technically required cookies, our website also uses cookies for statistical evaluation. You can also use the website without these cookies. By clicking on "I agree" you agree that we may set cookies for analysis purposes. You can see and change your cookie settings here.
Zentralarchiv für deutsche und internationale Kunstmarktforschung
Record
A003_XIV_002
A003 Moderne Galerie Otto Stangl
Moderne Galerie Otto Stangl
Diese Akte enthält:
Künstlereditionen Derriere Le Miroir:
- Sur Quatre Murs, No. 36/37, 1951
- Kandinsky 1900-1910, No. 42, 1951
- Kandinsky, No. 60-61, 1953
- Miró, No. 57/58/59, 1953
- Georges Braque, No. 71-72, 1954-1955
- Georges Braque, No. 166, 1967
- Calder, No. 190, 1971
Mappe der Galerie Maeght, Paris, Éditions Pierre a Feu: "Derriére le miroir" 1947-1949:
- Sur 4 murs 1947, 02/1947 - 03/1947
- Lithographies originales de Rigaud, 04/1947-05/1947
- Braque, 06/1947
- Les mains eblouies, 10/1947
- Exposition Baya, 11/1947
- Villeri, No. 7, 02/1948
- Peyrissac, No. 8, 03/1948
- Pallut, No. 9, 04/1948
- Béothy, No. 10, 05/1948
- Bram et Geer van Velde, No. 11 + 12, 06/1948
- Germaine Richier, No. 13, 10/1948
- Miró, No. 14 + 15, 11/1948-12/1948
- Hans Hoffmann, No. 16, 01/1949
- Paul Eluard - Roger Chastel, No. 17, 02/1949
- Chauvin, No. 18, 03/1949
- Kurt Seligmann, No. 19, 04/1949
- Lárt abstrait, No. 20 + 21, 05/1949
- Les Mains éblouies, No. 22, 10/1949
Sonstiges:
- Der Bund, Zur Jubiläumsausstellung im Kunstmuseum Bern: "Der Blaue Reiter - Wassiliy Kandinsky, Franz Marc und die Entstehung der neuen Kunst im 20. Jahrhundert", 1987 (drei Exemplare)
- Ausgabe zu cidademovel villemobile; citymobil costa pinheiro; sub art räumliche aspekte im u bahnhof leopold_franz_josephstr.
- Museum Folkwang Essen - Eine Bildmappe mit Reproduktionen nach bekannten Werken des 20. Jahrhunderts: Munch, Edvard: "Wintermondnacht"; Picasso, Pablo: "Bouteille, guitare et pipe"; Mondrian, Piet: "Komposition"; Miro, Joan: "Paysage"; Marc, Franz: "Liegender Stier"; Feininger, Lyonel: "Dorfstraße in Alt-Sallenthin"; Klee, Paul: "Feuer bei Vollmond"; Baumeister, Willi: "Tennisspieler"; Beckmann, Max: "Promenade des Anglais in Nizza"; Heckel, Erich: "Landschaft auf Alsen"; Chagall, Marc: "Champs de Mars"; Ernst, Max: "Paysage"; Vasarely, Victor: "AFA II"; Louis, Morris: "Ksi"
Archivale
Information on confiscated assets
Further information
BZK no.
The Bundeszentralkartei (BZK) is the central register of the federal government and federal states for completed compensation proceedings. When a claim is entered into the BZK, a number is assigned for unique identification. This BZK number refers to a compensation claim, not to a person. If a person has made several claims (e.g. for themselves and for relatives), each claim generally has its own BZK number. Often, the file number of the respective compensation authority is used as the BZK number.
This number is important for making an inquiry to the relevant archive.
Delict according to Nazi judicial system
Conduct that was first criminalized under National Socialism (e.g. the Treachery Act, ‘Judenbegünstigung’) or which the Nazi judiciary prosecuted more severely (e.g. high treason).
Reason for persecution
The reasons provided here are based on the wording in the reasons for persecution stated in the sources.
Role in the proceeding
‘Verfolgt’ refers to a person who submitted a compensation claim for damage caused by Nazi persecution. If the application was submitted by a person other than the persecuted person, this other person is designated as ‘antragstellend’ and their relationship to the persecuted person, if there is one, is noted. In the sources, the persecuted person is sometimes referred to as ‘Geschädigter’ (aggrieved party) and the applicant as ‘Anspruchsberechtigter’(claimant).
Search in Archivportal-D
You may find additional archival material on this person not related to Wiedergutmachung in the Archivportal-D.
Additional information on reason for persecution
Additional or more specific information on membership and group affiliation which were the reason for the persecution.
