In addition to the technically required cookies, our website also uses cookies for statistical evaluation. You can also use the website without these cookies. By clicking on "I agree" you agree that we may set cookies for analysis purposes. You can see and change your cookie settings here.
Sammlung von Zeitungsartikel-Kopien von Adolf Behne aus "Die Weltbühne"
Enthält: Bl.1-3: detaillierte Auflistung Bl. 4-5: "Kritisches Programm", Nr. 27, 06.07.1922, S.6 Bl. 6-9: "Der Staatsanwalt schützt das Bild", Nr. 47, 23.11.1922, S.545 Bl. 10-12: "Kollegen Kameraden", Nr. 5, 01.02.1923, S.133 Bl. 13-15: "Erfinder und Ölgötzen", Nr. 8, 22.02.1923, S.212 Bl. 16-19: "Die neue National-Galerie", Nr. 24, 14.06.1923, S.685 Bl. 20-22: "Das Kronprinzenpalais", Nr. 25, 21.06.1923, S.721 Bl. 23-25: "Justi und die Modernen", Nr. 26, 28.06.1923, S.746 Bl. 26-29: "Das Bauhaus Weimar", Nr. 38, 20.09.1923, S.289 Bl. 30-33: "Snob und Antisnob", Nr. 8, 21.02.1924, S.234 Bl. 34: "Die neue Tanz-Legende", Nr. 10, 06.03.1924, S.307 Bl. 35: "Hoffmann, Taut, Gropius, Merz", Nr. 15, 10.04.1924, S.471 Bl. 36-38: "Neubauten und Antiquitäten", Nr. 19, 08.05.1924, S.625 Bl. 39-41: "Russische Kunstberichte. I", Nr. 24, 12.06.1924, S.813 Bl. 42-43: "Russische Kunstberichte. II. Die Museen", Nr. 25, 19.06.1924, S.852 Bl. 44-45: "Russische Kunstberichte. III. Die Entdeckung des Ikons", Nr. 26, 26.06.1924, S.897 Bl. 46-48: "Große Berliner Kunst-Ausstellung 1924", Nr. 28, 10.07.1924, S.66 Bl. 49-50: "Preußische Kunstverwaltung", Nr. 35, 28.08.1924, S.333 Bl. 51-52: "Deutsche Kunst in Moskau", Nr. 39, 25.09.1924, S.481 Bl. 53-54: "Arthur Segal", Nr. 40, 02.10.1924, S.520 Bl. 55-56: "Heinrich Zille", Nr.41, 09.10.1924, S.560 Bl. 57-58: "Der gekränkte Kunstkenner. I", Nr. 43, 23.10.1924, S.639 Bl. 59-61: "Seddin", Nr. 46, 11.11.1924, S.747 Bl. 62: "Karl Scheffler", Nr. 47, 18.11.1924, S.781 Bl. 63: "Deutschland boykottiert Paris", Nr. 52, 23.12.1924, S.961 Bl. 64-65: "Die Stadt Berlin kauft Bilder", Nr. 1, 06.01.1925, S.32 Bl. 66-68: "Abbau der Kunst", Nr. 2, 13.01.1925, S.57 Bl. 69-71: "Wohnungen", Nr. 10, 10.03.1925, S.361 Bl. 72-73: "Vorsicht! Frisch gestrichen!", Nr. 16, 21.04.1925, S.596 Bl. 74-76: "Das denkende Bild", Nr. 22, 02.06.1925, S.816 Bl. 77-78: "Ist der Stadtbaurat Frontoffizier?", Nr. 2, 12.01.1926, S.77 Bl. 79-80: "Von Bode", Nr. 3, 19.01.1926, S.116 Bl. 81-82: "Architektur-Premiere", Nr. 5, 02.02.1926, S.195 Bl. 83-85: "Tempelhofer Feld und Wedding", Nr. 9, 02.03.1926, S.346 Bl. 86-87: J. Heartfield: "Grün oder Rot?", Nr. 11, 16.03.1926, S.434-435 Bl. 88-89: "An den Verein kommunistischer Kunstmaler", Nr.12, 23.03.1926, S.460-461 Bl. 90: "Für Deutschland bearbeitet …", Nr. 16, 20.04.1926, S.635 Bl. 91-94: "Die Stellung des Publikums zur modernen deutschen Literatur", Nr. 20, 18.05.1926, S.774-777 Bl. 95: "Die Flagge", Nr. 24, 15.06.1926, S.944 Bl. 96: "150 Sturm-Ausstellungen", Nr. 27, 06.07.1926, S.36 Bl. 97-98: "Die Illustrierten", Nr. 31, 03.08.1926, S.187-189 Bl. 99: "Warten und Haine", Nr. 38, 21.09.1926, S.475 Bl. 100-101: "Ballhorn baut", Nr. 47, 23.11.1926, S.831 Bl. 102-103: "Otto Nagel", Nr. 2, 11.01.1927, S.77-78 Bl. 104-105: "Karl Scheffler und das Kronprinzenpalais", Nr. 24, 10.06.1930, S.882 Bl. 106a: "Akademiepräsident Liebermann", Nr. 28, 08.07.1930, S.58 Bl. 106b: "Aus der Rangliste der Kunst", Nr. 39, 23.09.1930, S.488 Bl. 107: "Das auf dem Pergamon-Altar geopferte Deutsche Museum", Nr. 42, 14.10.1930, S.583 Bl. 108: "Der Kunstsalon", Nr. 45, 04.11.1930, S.694 Bl. 109-110. "Werner Scholz", Nr. 49, 02.12.1930, S.840-841 Bl. 111: "Adolf Loos", Nr. 52, 23.12.1930, S.960 Bl. 112-113: "Breslauer Akademie", Nr. 10, 10.03.1931, S.367-368 Bl. 114-116: "Für oder gegen Schinkel", Nr. 12, 24.03.1931, S.435 Bl. 117: "Theo van Doesburg" [Nachruf], Nr. 13, 31.03.1931, S.475 Bl. 118-119: "So leben wir", Nr. 16, 21.04.1931, S.590-591 Bl. 120-121: "Otto Müller", Nr. 24, 16.06.1931, S.885-886 Bl. 122-125: "Die Kunst als Waffe, Nr. 34, 25.08.1931, S.301-304 [siehe hierzu auch: "Rote Fahne" vom 08.09.1931] Bl. 126-127: "Die Akademie am Scheidewege", Nr. 35, 01.09.1931, S.344-345 Bl. 128-130: "Feininger", Nr. 40, 06.10.1931, S.535-537 Bl. 131-132: "Die Welt von unten oder Zweierlei Oel", Nr. 46, 17.11.1931, S.754-755 Bl. 133-135: "Das Kronprinzenpalais in Oslo", Nr. 1, 05.01.1932, S.22-24
Sammlung, 2013 übergeben von Archivabteilungen Bildende Kunst und Historisches Archiv
The Bundeszentralkartei (BZK) is the central register of the federal government and federal states for completed compensation proceedings. When a claim is entered into the BZK, a number is assigned for unique identification. This BZK number refers to a compensation claim, not to a person. If a person has made several claims (e.g. for themselves and for relatives), each claim generally has its own BZK number. Often, the file number of the respective compensation authority is used as the BZK number.
This number is important for making an inquiry to the relevant archive.
Delict according to Nazi judicial system
Conduct that was first criminalized under National Socialism (e.g. the Treachery Act, ‘Judenbegünstigung’) or which the Nazi judiciary prosecuted more severely (e.g. high treason).
Reason for persecution
The reasons provided here are based on the wording in the reasons for persecution stated in the sources.
Role in the proceeding
‘Verfolgt’ refers to a person who submitted a compensation claim for damage caused by Nazi persecution. If the application was submitted by a person other than the persecuted person, this other person is designated as ‘antragstellend’ and their relationship to the persecuted person, if there is one, is noted. In the sources, the persecuted person is sometimes referred to as ‘Geschädigter’ (aggrieved party) and the applicant as ‘Anspruchsberechtigter’(claimant).
Search in Archivportal-D
You may find additional archival material on this person not related to Wiedergutmachung in the Archivportal-D.
Additional information on reason for persecution
Additional or more specific information on membership and group affiliation which were the reason for the persecution.