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Enthält: Ordner mit Verträgen der Künstler von L+R, in denen die Nutzungsrechte der Werke eigener Songs oder Aufnahmen fremder Songs mit L+R geklärt werden. Außerdem einige Korrespondenzen mit verschiedenen Managements.
Musiker:
Carey Bell
Heinz Sauer
Bob Degen
Lurrie Bell
Walter Brown
Jeanne Carroll
Lydia Carter
Phil Wiggins
John Cephas
Otis Williams
Sam Chatmon
Walter Cooper
Eddie Cusie
Ellis Davis
Eunice Davis
John Davis / Blind John Davis
Morris Dollison / Cash McCall
Jack Dupree
Archie Edwards
Sylvia Embry
Gerhard Engbarth
Reimer von Essen
Vicki Evans
Margie Evans
Jo Flinner
Cora Fluker
John Edmond
Lee Green
Rickey Grundy
Sir Roland Hanna
Blind Joe Hill / Joseph Hill
Jutta Hipp
Alberta Hunter
Larry Johnson
Jim Kahr
Al Keith
Hans Koller
Lance Lee
Sunnyland Slim / Albert Luandrew
Cab Lucky
Louisiana Red
Verträge mit:
Louisiana Red / Iverson Minter (vom 2.8.1980)
MOP-Musikverlag (vom 26.3.1980)
Carey Bell, zu den Stücken:
"She Is Worse", "When I lay Down To Rest" (vom 31.10.1983),
"Blues After Sunrise", "Hollerin' The Blues", "Tonky Blues" (mit Degen und Sauer vom 24.2.1983),
"Just a Fool" (vom 25.11.1981)
"Blues Harp Blues By Three" (vom 11.11.1982)
"Easy to love You", "Train Ticket", "When a woman get in trouble", "Heartaches and Pain, "Tribute to Big Walter, "Goin' On Main Street" (vom 29.6.1982)
"Brought up the hard way" (vom 22.1.1980)
Lurrie Bell, zu den Stücken:
"my Kind Of Woman" (vom 8.3.1983)
"I am worried", "Juke Jam / instr.", "Breakin' Up Somebody's Home", "Teenie Weenie Bit" (vom 29.6.1982)
Walter Brown, zu den Stücken:
"Goin' To Arkansas", "Routabout Holler", "Mississippi Moan", "Alberta", "Levee Camp Holler" (vom 9.9.1981)
"Hard to See", "Keep On Walin'" (vom 10.4.1981)
Jeanne Carroll, zu den Stücken:
"Penny Pinchin' Blues" (vom 20.4.1983)
Lydia Carter, zu den Stücken:
"Jesus Gonna Make Up My Dyin' Bed", "When I Lay My Burden Down" (mit Joe Williams) (vom 5.9.1980)
Phil Wiggins, zu den Stücken:
"Luise" (mit John Cephas) (vom 9.10.1983)
John Cephas und Phil Wiggins, zu den Stücken:
"Hard Time Blues", "I rather be the devil" (vom 9.10.1983)
"Rock me in the cradle of love", "Farewell Blues", "My Black Cat Bone" (vom 9.10.1983)
"Hoodoo Woman" (vom 10.4.1983)
"Dog Days of August", "Roberta", "Piedmont Rag", "Tribute to Skip James", "Crazy About You", "I Need to Talk to You" (vom 10.4.1983)
"I Saw the Light", "Will the Circle Be Unbroken", "Running and Hiding" (vom 10.4.1983)
"Bowling Green Rag" (vom 14.4.1981)
John Cephas, zu den Stücken:
"Sweet Bitter Blues" (mit Otis Williams) (vom 25.11.1982)
"John Henry", "St. James Infirmary" (vom 25.11.1982)
"Highway 301", "Wendy", "More Fish In the Sea", "Burn Your Bridges", "Louisiana Chase", "Careless Love" (vom 10.9.1982)
"Piedmont Rag" (vom 25.11.1982)
"Blue day Blues" (vom 11.11.1982)
"Black Rat Swing", "Guitar & Harmonica Rag", "Rising River Blues", "I'm A Pilgrim", "Chicken Can't Roost Too High For Me", "Ain't Got No Lovin' Baby Now", "West Carey Street Blues", "Pony Blues", "Goin' Down The Road Felin' Bad", "Reno Factory" (vom 11.3.1981)
Sam Chatmon, zu den Stücken:
"Stop And Listen Blues", "Sam's Blues", "My daddy Was A Jockey", "Black Night", "Sittin' On Top Of The World" (vom 5.6.1981)
Walter Cooper, zu den Stücken:
"Soon One Mornin'" (vom 9.9.1981)
Eddie Cusie, zu den Stücken:
"Gonna Cut You Loose" (vom 22.6.1981)
Ellis Davis, zu den Stücken:
"I Don't Know Why", "Bull Dog Blues", "Love Blues", "You Got To Do The Boogie Woogie" (vom 9.9.1981)
Eunice Davis, zu den Stücken:
"What can I Do", "Black Rat", "I'm So Glad", "In My Girlish Days", "It's Hard To Be Mistreated" (vom 4.2.1980)
"Rock Little Daddy" (4.2.1980)
John Davis / Blind John Davis, zu den Stücken:
"I Had A Dream", "I Know The Baby Loves Me", "Hey Hey Mama", "The Woman I Love", "I Heard An Echo", "The Tricks Don't Turn On You", "Harlem Blues", "When The Bluebirds come Out To Sing", "Pretty Blues For Listening", "When I've Been Drinking", "Don't Lie To Me", "Bartender's Bounce" (vom 19.4.1983)
Bob Degen, zu den Stücken:
"Steiner" (mit Emil Mangelsdorff) (vom 16.6.1986)
Morris Dollison / Cash McCall, zu den Stücken:
"No More Doggin'" (vom 27.3.1983)
"Mistreated Woman", "It's a shame", "Blue blue Blues", "Your Love is painful", "Two Lovers in One", "Don't throw no stones at me" (vom 5.7.1982)
Jack Dupree, zu den Stücken:
"Future Blues", "The Good Book" (vom 10.8.1983)
Archie Edwards, zu den Stücken:
"Three Times Seven", "East Virginia John Henry" (vom 7.9.1983)
"Screaming And Crying" (vom 29.11.1982)
"Saturday Night Hop", "Greyhound Bus Blues", "Eagle Eyed Mama" (vom 11.11.1982)
"My Old Schoolmates", "I Called My Baby Long Distance", "Pittsburgh Blues", "Baby Please Give Me A Break", "Duffle Bag Blues", "The Road Is Rough And Rocky", "Jinky Lou", "That Won't Do", "Lovin' Spoonful", "Stagg-O-Lee", "Do Lord Remember Me" (vom 12.10.1981)
Sylvia Embry, zu den Stücken:
"I Love You" (vom 10.11.1983)
"Why Wonder", "Life and Troubles", "I'm Hurtin'", "New York Bound", "You Treat me So Mean", "Baby, what do I do", "Midnight Baby", "Party", "Can't get along" (vom 4.4.1983)
Gerhard Engbarth, zu den Stücken:
"Blues für Shakey", "Blues für Anita" und "Schweizer-Käs-Boogie" (vom 10.2.1983)
Reimer von Essen, zu den Stücken:
"Echoes Of Mezz" (vom 24.8.1983)
Vicki Evans, zu den Stücken:
"Young Blues Thrillers' Theme" (vom 17.12.1985)
Margie Evans, zu den Stücken:
"Young Blues Thrillers' Theme" (vom 17.12.1985)
"I've Been Buked" (vom 27.3.1983)
"That Dirty Black Rat" und "Margie's Boogie" (vom 25.11.1982)
"I Got The Restless Blues" und "Sometimes I'll Be Gone" (vom 11.11.1982)
"Mistreated Woman", "It's a shame", "Blues blue Blues", "Your Love is Painful", "Two Lovers in One"und "Don't throw no stones at me" (vom 5.7.1982)
"Trouble Trouble" (vom 14.4.1981)
Margie Evans und Cash McCall, zu den Stücken:
"Another Blues Day", "Loser", "The Lighthouse", "Come To Me", "Let The Telephone Ring", "I 've been there", "Chilly Waters", "Mojo Woman", "Something Funy is going on", "European Holiday", "I'll be there", Southern Woman" und "Hurry Sundown" (vom 27.3.1983)
Jo Flinner, zu den Stücken:
"The Building" (vom 8.7.1985)
Cora Fluker, zu den Stücken:
"Talkin' 'Bout Jesus", "Shotgun Boogie, "Out In The Woods", "Look How This World Done Made A Change", "Move Daniel" und "Dry Bones In The Valley" (vom 10.4.1981)
Music Publishing Company of Africa (vom 1.12.1981)
GHANA MUSIC (vom 14.11.1980)
Lee Green, zu den Stücken:
"Glory, Glory, Hallelujah" und "Wade In The Water" (vom 24.9.1984)
"Somebody's Praying - Lord - Come By Here" und "I Am On The Battlefield For My Lord" (vom 24.9.1984)
Rickey Grundey, zu den Stücken:
"Gettin' Closer" (vom 17.12.1985)
"From Boogie To Funk" (vom 17.12.1985)
Sir Roland Hanna, zu den Stücken:
"In A Japanese Garden", "One To Billy" und "Festival Blues" (vom 16.12.1985)
"Afternoon Sun", "Afterthoughts", "Big Apple Siesta", "Comes Evening" und "Penthouse Fever" (vom 22.6.1979)
Blind Joe Hill, zu den Stücken:
"Big Butt Woman", "Licken Gravy Baby", "Darling I Love You", "Blind Joe Special", "First Chance", "P.D. Blues", "I Can't Do What I Used To Do" (vom 27.3.1983)
Jutta Hipp, zu den Stücken:
"Mon petit", "Two Oranges" und "Variations" (vom 29.8.1980)
Alberta Hunter, zu den Stücken:
"Rock Little Daddy" (vom 4.2.1980)
Larry Johnson, zu den Stücken:
"The Brightside Somewhere" (vom 10.11.1983)
"I Got The Blues", "Don't get mad With Me", "Standing By My Window", "Johnson! Where Did You get That Sound?", "Baby Quit Me, That's All", "Confusion" und "The Right String Baby With The Wrong JoJo" (vom 16.8.1982)
Jim Kahr, zu den Stücken:
"Airport Dues", "Cliff House", "Sneakin' And Lyin'", "My Guitar And I Have Travelled", "Funny Side Of Life", "Broke This Heart Of Mine", "Where We Goin'", "You Oughta' Know" (vom 9.7.1985)
Al Keith, zu den Stücken:
"From Boogie To Funk" (vom 17.12.1985)
Hans Koller, zu den Stücken:
"Festival", "Jessica's Dream", "Fragments", "Tiger, Panther & Co" und "Last Not Least" (vom 29.6.1981)
La Bonne Musique (vom 19.3.1984)
Lance Lee, zu den Stücken:
"From Boogie To Funk" (vom 17.12.1985)
Sunnyland Slim, zu den Stücken:
"Tired of this Lowland", "She used to love me", "Sittin' here thinking", "Sad and lonesome", "A little Boogie", "You lost a good thing now", "Old Country Farm Blues", "She's forever on my mind", "Be careful how you vote", "All my life I had it hard" (vom 6.10.1981)
"Mississippi Delta Blues", I don't want no trouble", "Sometimes I worry", "Old time Blues", "Old master was his father" (vom 23.10.1981)
"Everytime I Get To Drinking", "It's You, My Baby", "Too Late For Me To Pray", "We Gonna Jump" (vom 11.4.1980)
"Sunnyland's New Orleans Boogie" (vom 21.5.1980)
Cab Lucky, zu den Stücken:
"Mailman Blues" (vom 24.6.1979)
"Bollweevil", "Going Down The Road Feeling Bad", "Going To Louisiana", "Little Mary", "That's Alright" (vom 24.6.1979)
"Early one morning", "Whiskey Blues" (vom 24.6.1979)
Personen:
Annika Foodge
Hans Sikorski
Jim Burdine
Len Kunstadt
The Bundeszentralkartei (BZK) is the central register of the federal government and federal states for completed compensation proceedings. When a claim is entered into the BZK, a number is assigned for unique identification. This BZK number refers to a compensation claim, not to a person. If a person has made several claims (e.g. for themselves and for relatives), each claim generally has its own BZK number. Often, the file number of the respective compensation authority is used as the BZK number.
This number is important for making an inquiry to the relevant archive.
Delict according to Nazi judicial system
Conduct that was first criminalized under National Socialism (e.g. the Treachery Act, ‘Judenbegünstigung’) or which the Nazi judiciary prosecuted more severely (e.g. high treason).
Reason for persecution
The reasons provided here are based on the wording in the reasons for persecution stated in the sources.
Role in the proceeding
‘Verfolgt’ refers to a person who submitted a compensation claim for damage caused by Nazi persecution. If the application was submitted by a person other than the persecuted person, this other person is designated as ‘antragstellend’ and their relationship to the persecuted person, if there is one, is noted. In the sources, the persecuted person is sometimes referred to as ‘Geschädigter’ (aggrieved party) and the applicant as ‘Anspruchsberechtigter’(claimant).
Search in Archivportal-D
You may find additional archival material on this person not related to Wiedergutmachung in the Archivportal-D.
Additional information on reason for persecution
Additional or more specific information on membership and group affiliation which were the reason for the persecution.